Rachel Goswell and Neil Halstead (Slowdive), the Charlotte, Leicester, 1992
Allen Ferro: One thing that I found amazing — I found this out recently, too — was that Pablo used only dailies because Stanley [Kubrick] doesn’t let his negatives get touched.
Pablo Ferro: Yeah, he does a lot of takes so I had a lot of choice. I took the best outtakes which look very much like the takes he used. For the Clockwork trailer, it’s all outtakes.
Read more in part two of our three-part feature interview with Pablo Ferro and his son Allen:
Mask series by Saul Steinberg and Inge Morath, 1963